Past shows
Laura Battle
Rise
March 2 – April 14, 2021
A starting point for all of Laura Battle’s work is geometrical division of a rectangle. In paintings, drawings and prints, the Hudson Valley artist explores geometry’s potential to offer an optically charged mental space in which to explore universal visual
Rise
March 2 – April 14, 2021
A starting point for all of Laura Battle’s work is geometrical division of a rectangle. In paintings, drawings and prints, the Hudson Valley artist explores geometry’s potential to offer an optically charged mental space in which to explore universal visual
Susan Schwalb
On Point
January 5 – February 16, 2021
Susan Schwalb’s primary medium for over 40 years has been the Renaissance technique of silverpoint and metalpoint drawing. Juxtaposing a wide variety of metals—silver, gold, brass, copper, platinum, pewter, bronze, and aluminum—she obtains soft shifts of tone and color. Narrowly
On Point
January 5 – February 16, 2021
Susan Schwalb’s primary medium for over 40 years has been the Renaissance technique of silverpoint and metalpoint drawing. Juxtaposing a wide variety of metals—silver, gold, brass, copper, platinum, pewter, bronze, and aluminum—she obtains soft shifts of tone and color. Narrowly
Jeffrey Schiff
DisInterRuptions
November 3 – December 15, 2021
Peculiar juxtapositions mark Jeffrey Schiff’s installations. Through over thirty years of making art he has explored the way the human hand transforms the natural world, and how we decode objects and images when they are out of context—navigating the interplay
DisInterRuptions
November 3 – December 15, 2021
Peculiar juxtapositions mark Jeffrey Schiff’s installations. Through over thirty years of making art he has explored the way the human hand transforms the natural world, and how we decode objects and images when they are out of context—navigating the interplay
Jeannie Motherwell
POUR. PUSH. LAYER.
September 1 – October 22, 2021
Jeannie Motherwell is amazed by the images and mysteries of creations—like the oceans and skies in changing weather, Hubble-type images of the universe, and her own physicality during the painting process. She seeks to capture space and the three-dimensional energy
POUR. PUSH. LAYER.
September 1 – October 22, 2021
Jeannie Motherwell is amazed by the images and mysteries of creations—like the oceans and skies in changing weather, Hubble-type images of the universe, and her own physicality during the painting process. She seeks to capture space and the three-dimensional energy
Thomas Lyon Mills
The Catacombs
July 7 – August 18, 2021
For decades Thomas Lyon Mills has documented and drawn his dreams, in which the seen and unseen co-exist: trees and mosses dissolve into underground tunnels and streams, apparitions reside among strange and marvelous creatures. These dreams are prophetic—harbingers of where
The Catacombs
July 7 – August 18, 2021
For decades Thomas Lyon Mills has documented and drawn his dreams, in which the seen and unseen co-exist: trees and mosses dissolve into underground tunnels and streams, apparitions reside among strange and marvelous creatures. These dreams are prophetic—harbingers of where
Ellen Driscoll
Thicket
May 5 – June 23, 2021
In recent fabric sculptures, Driscoll combines cloth that typically covers the body as clothing or blanket with larger abstractions of maps and diagrams, or a repeated photograph of a tangled thicket . The scale of the singular and intimate body
Thicket
May 5 – June 23, 2021
In recent fabric sculptures, Driscoll combines cloth that typically covers the body as clothing or blanket with larger abstractions of maps and diagrams, or a repeated photograph of a tangled thicket . The scale of the singular and intimate body
Jean Blackburn
Warp
March 3 – April 23, 2021
Abraham Adams - Critics' Pick, ARTFORUM Known for her work that addresses the domestic, Blackburn creates fabric elements from bed sheets, curtains, tablecloths, napkins, etc. that weave through the entire installation of various domestic furnishings. The cross-lacing warp and weft
Warp
March 3 – April 23, 2021
Abraham Adams - Critics' Pick, ARTFORUM Known for her work that addresses the domestic, Blackburn creates fabric elements from bed sheets, curtains, tablecloths, napkins, etc. that weave through the entire installation of various domestic furnishings. The cross-lacing warp and weft
Percy Fortini-Wright
Graffiti
January 6 – February 16, 2021
Deconstructing the notion that graffiti is not legitimate art, Percy Fortini-Wright plays with the illusion of classical painting but tags into it and roughs up the edges to inject a dualistic principle. A mathematically-inclined painter drawn to portraiture and anatomy, Read More...
Graffiti
January 6 – February 16, 2021
Deconstructing the notion that graffiti is not legitimate art, Percy Fortini-Wright plays with the illusion of classical painting but tags into it and roughs up the edges to inject a dualistic principle. A mathematically-inclined painter drawn to portraiture and anatomy, Read More...
Robert Lewis
Sculpture
November 4 – December 16, 2020
The art, archaeology and artifacts of past civilizations inspire Robert Lewis’s sculpture. Intrigued by the layering of visual information left by empires, cultures, and the whims of nature, he has traveled to experience these things in their full dimensions and
Sculpture
November 4 – December 16, 2020
The art, archaeology and artifacts of past civilizations inspire Robert Lewis’s sculpture. Intrigued by the layering of visual information left by empires, cultures, and the whims of nature, he has traveled to experience these things in their full dimensions and
David Mann
Paintings
September 1 – October 28, 2020
David Mann is compelled by the question, "Can a painting communicate by virtue of its inherent phenomenon?" Fascinated with the poetry of scientific research and with the visual resonance and mystery of the intimately minute and the infinitely vast, he
Paintings
September 1 – October 28, 2020
David Mann is compelled by the question, "Can a painting communicate by virtue of its inherent phenomenon?" Fascinated with the poetry of scientific research and with the visual resonance and mystery of the intimately minute and the infinitely vast, he
Gwen Adler, Susan Cooper, David Joseph, John Manzi, David Zung
Through The Lens
July 1 – August 13, 2020
In David Zung and Susan Cooper’s film Edwina Time Traveler, the protagonist appears in settings and tableaus with found objects and other actors. Moving through time with the feral grace of an unhinged cat, Edwina is the corporeal manifestation of Read More...
Through The Lens
July 1 – August 13, 2020
In David Zung and Susan Cooper’s film Edwina Time Traveler, the protagonist appears in settings and tableaus with found objects and other actors. Moving through time with the feral grace of an unhinged cat, Edwina is the corporeal manifestation of Read More...
Frank Poor
Sculpture and Prints
May 1 – June 24, 2020
Nostalgia initially motivated Frank Poor's choice of iconic imagery such as farms and steeples, but by dislocating them from history and context—incising them with patterns, setting them in stark three-dimensional structures—he grounds them in the present and initiates a dialogue
Sculpture and Prints
May 1 – June 24, 2020
Nostalgia initially motivated Frank Poor's choice of iconic imagery such as farms and steeples, but by dislocating them from history and context—incising them with patterns, setting them in stark three-dimensional structures—he grounds them in the present and initiates a dialogue
Nathan Miner
Decade
March 4 – April 22, 2020
A landmark can be a place, an event marking an important stage or a turning point. The exhibition Decade, a Boston debut for interdisciplinary artist Nathan Miner, is all three. In 2006 the artist successfully built a working prototype of
Decade
March 4 – April 22, 2020
A landmark can be a place, an event marking an important stage or a turning point. The exhibition Decade, a Boston debut for interdisciplinary artist Nathan Miner, is all three. In 2006 the artist successfully built a working prototype of
Betsy Weis
Landscape is a Verb
January 8 – February 24, 2020
Landscape is a Verb and Wish You Were Here, artworks by Betsy Weis and Ron Weis, scheduled January 8th through February 24th. Betsy Weis and Ron Weis, husband and wife, create independently but they both work with the landscape genre
Landscape is a Verb
January 8 – February 24, 2020
Landscape is a Verb and Wish You Were Here, artworks by Betsy Weis and Ron Weis, scheduled January 8th through February 24th. Betsy Weis and Ron Weis, husband and wife, create independently but they both work with the landscape genre
Ron Weis
Wish You Were Here
January 8 – February 24, 2020
Ron Weis works with the landscape genre and test the boundaries of what is real, imagined and imbued. His small oil paintings on paper mounted to aluminum are 5” x 6 1/8”--roughly postcard sized. Ron’s painted bucolic mountain scenes are intended
Wish You Were Here
January 8 – February 24, 2020
Ron Weis works with the landscape genre and test the boundaries of what is real, imagined and imbued. His small oil paintings on paper mounted to aluminum are 5” x 6 1/8”--roughly postcard sized. Ron’s painted bucolic mountain scenes are intended
Tom Butter
Astir
November 6 – December 26, 2020
by Paul D’Agostino Tom Butter's artworks, no matter their variable mediums and dimensions, cease never to turn, spin and churn, ever aflux, ever astir. Structurally, visually and metaphorically, their operative modes and inherent mobilities—with regard, too, to pieces that might
Astir
November 6 – December 26, 2020
by Paul D’Agostino Tom Butter's artworks, no matter their variable mediums and dimensions, cease never to turn, spin and churn, ever aflux, ever astir. Structurally, visually and metaphorically, their operative modes and inherent mobilities—with regard, too, to pieces that might